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Each week on FOX's Fringe, Anna Torv, Joshua Jackson and John Noble run around trying to save good people (often including themselves and each other) from inexplicable death.The bigger picture involves a pattern of strange occurrences over many years, a parallel universe, a corporation of questionable ethics, and Leonard Nimoy. Actually, it sounds a lot like LOST (which makes sense, since JJ Abrams birthed them both) until you get to the Nimoy part. But Fringe succeeds everywhere LOST fails. At least for me--I'm aware that public opinion, as reflected in the ratings, is against me on this.
The show boils down to a formula that must have been at least partially inspired by The X-Files: A gal and a guy investigate crazy stuff, consult crazy people who know a thing or two about crazy stuff, and eventually become embroiled in the most crazy stuff of all. The formula isn't a sure thing, though. It requires a chemistry not often found on television these days. Two shows with a similar strength of chemistry are House, MD (FOX again) and ABC's Modern Family.
Hiring great actors isn't enough these days: we all know they're acting. It's a lot harder to embrace that escapist feeling when much of the mystery in television and film making has been lost to making-of documentaries and in-depth, behind-the-scenes interviews with cast and crew, both products of the DVD age that are meant to immerse us in the world of the story, but often--at least for me--just remind me that someone is being paid very, very well to make all this shit up.
So, since we know everyone is playing make-believe, we want to people who play make-believe really, really well together. Watching good actors play off a connection that isn't always casted for, with each actor winning their part in something of a bubble sometimes, draws us in and reestablishes a fourth wall and a desire and ability to suspend our disbelief that has steadily been dissolving in modern television.
Anna Torv, Joshua Jackson and John Noble have that chemistry. They make the crazy stuff just believable enough in ways that shows like LOST just never seemed to do for me. My ability to suspend disbelief has suffered a dramatic decline, probably since I stopped reading fiction as often as I once did. Fringe toes a line that LOST just crosses, and ridiculous absurdity is on the other side.
Don't get me wrong, there is plenty of ridiculous absurdity to go around in Fringe. But what keeps me coming back is the execution and, above all, the sense of direction. And, in many ways, it seems to me that Abrams wrote Fringe and LOST with two very different audiences in mind. Some people like the plodding, blind-folded, elaborately designed plot arcs found in LOST--that's how those people prefer their immersion experience. Others, like me I guess, don't mind some head-spinning plot twists, but we need more of a sense of direction--an earlier reveal of the bigger picture and who the good guys and bad guys are, so we can apply our video game, comic book sense of conflict and pace from the very beginning.
In that way, maybe I'm something of a conservative television viewer compared to many other people. I'd love to hear your thoughts in the comments.